Karry Best movie of this year hands down!
Ceticultsot Beautiful, moving film.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
ma-cortes This adventures and lackluster desert opus deals about Paul Gerard(George Raft) a French legionnaire officer. The philander legionnaire is sent a dangerous assignment, escort an Emir of Bel-Rashad's daughter(Marie Windsor) and investigate the Emir's(Edward Franz) activities. Then Paul discovers a Mouser rifles for a possible rebellion. Meanwhile he falls in love with Cara and befriends a sympathetic lieutenant(Akim Tamiroff).Acceptable action/adventures movie blending drama of self-sacrifice, love story and spectacular outdoors. The film concerns about the French Legion, an instrument of conquest of the North of Africa and Indochina. This regiment was employed for bloody fights and futile wars in a vain attempt to retain territories . Some moment is rather dull but in the second half is a bit more exciting with forced march and taking place in an isolate fort as well as Arab attacks. Atmosphere is appropriately depressing and and gritty, especially during the blockade when the regiment bears starvation and with no water. Evovative and adequate musical score by Michel Michelet.The picture was shot in Imperial County, California and Morocco, at the beginning the producers thanksgiving the French army for its collaboration. The story belongs a genre which has given classics, such as ¨Beau Geste(Gary Cooper)¨ and ¨Under two flags(Ronald Colman)¨ and full of humor as ¨Beau Hunks¨with Stan Laurel and Oliver Hardy. The motion picture is professionally directed by Robert Florey, a nice craftsman. He's expert on adventures genre: ¨Tarzan and the mermaids¨, ¨Rogues' regiment¨ also with the Foreign Legion and Terror genre : 'Beast with five fingers'and 'Murders in the Rue Morgue'. Rating : Acceptable adventures movie is passable at its kind , providing some of entertainment and fun.
Robert J. Maxwell I tried to count the number of times George Raft, Cavalry Captain in the French Foreign Legion in Morocco, in the early years of the 20th century, blinked, but I didn't see any blinks at all. I wouldn't advance the proposition that George Raft never blinks in this movie. That's not it at all. It's just that I never caught him at it. Possibly because I blinked myself.Why, man, he doth bestride this narrow movie like s Colossus astride Rhodes. He wears the same expression, whether making love or shooting rebels. He looks grim always. He moves purposefully. Everything he is involved in generates the same contour of his facial muscles and, as in a Kuleshov experiment, we interpret it according to context.Excuse me for making a little fun of George Raft. He actually suits the role and the movie pretty well. It's an unpretentious and action-filled, mostly studio-bound, story of proud French soldiers opposing a conflicted culture of Islamic colonials. A leader of one tribe, Eduard Franz, is pretty hostile to the French presence. So much so that he wipes out one of their outposts, despite some friendly gestures on the part of the French. At the same time, Eduard Franz has a very pretty and sensual daughter, Marie Windsor, she of the large and doe-like eyes and a mouth that bespeaks passion. Raft has delivered her from the city to her father's oasis and they have fallen in love with each other. (Over an enormous bowl of rice.) The two of them are torn between their conflicting allegiances. Windsor has been to some extent Westernized. She's been away from the tribe long enough to have acquired one of those pointed brassieres that were to become so common in 1950s movies. Not that she needs it. She's superbly feminine and nubile beyond measure. Raft too is torn between his love for her -- his enemy's daughter -- and his commitment to La France, though he never seriously wavers.I don't want to spell out the end, but it really is a little confusing. Eduard Franz's cavalry make a suicidal line-abreast charge against a fortified position that has automatic weapons. Somehow, Marie Windsor gets mixed up in the ruckus and the conflict between enlightened Westerners and benighted tribesmen is resolved.Without being sure why, I can say that I quite enjoyed it -- the stereotypes, the shootings, the battles, the galloping horses, the eyeballs of Marie Windsor, the Russian slurring of English by Akim Tamirov. I think maybe I had OD'd on political arguments and the economic calamity that happened on the day I watched this, but -- whatever -- I loved the action and the mindlessness.All in all, a splendid way to take your mind off things.
manuel-pestalozzi If you are looking for something new and exciting I cannot recommend this movie. The story is pedestrian, a mixture of Beau Geste and Casablanca. It has been told better.But there are several points that I found very interesting. For its low budget look this movie has a lot of scenes shot on location in the desert in Morocco. It is not stock footage like, for example, in Fort Algiers, but custom made stuff with an artistic quality that fits in very well with the footage shot on a Hollywood studio lot. Another reviewer suggests that Raft, Windsor and Tamiroff had a nice time in Morocco doing this movie. My guess is that they never left California when working on it. For long or medium range shots some locals took their parts, closer shots are all made with rear projection or on studio sets. This never disturbs the flow of the picture in any way and one might really think the stars are in that faraway country. This shows that some true craftsmen were involved here.I've seen several films directed by Robert Florey. They are B movies but all have memorable scenes, often related with nature. Like Edgar G. Ulmer, Florey never seems to have lost his artistic ambition, however small the budget, however corny the script. Outpost in Morocco has a well filmed, dramatic climax when the fort is surrounded and the water supply is cut by the assailants. The commanding officer orders the horses to be released into the desert which is a little like dying for the cavalrymen. The scenes showing the horses galloping through the gate of the fortress and out into the desert plain are powerful. The following night the water supply is exhausted. The second in command starts praying, and suddenly the half asleep soldiers hear raindrops fall, one or two splatter on the leaf of a small plant. These really are very poetic moments one would not expect in a run off the mill picture, as are the sometimes interesting camera angles. Incidentally, the set design and the lighting are also very good, compared with pictures like the afore mentioned Fort Algiers.Fans of Marie Windsor (and there are lots of reasons to be a fan of her) will like this movie. She plays the sheik's thoroughly Westernized daughter which is completely incongruous and nevertheless works amazingly well. I credit this to the talent and commandeering presence of this underrated actress whose sole handicap seemed to have been that she was very tall. At one moment she is seen swimming in a pool, by all appearances completely naked.
occupant-1 This effort shows that, if Raft and Windsor had had better luck of the draw, he may have gotten more light romantic lead parts (rather than tough guy things) and she might have done Kubrick-style films more and science fiction less. Raft shows a flair for underplayed humor and Windsor, clearly no fool, outclasses the usual female leads (she later served as a director of the Screen Actors Guild).
