Clevercell Very disappointing...
Claysaba Excellent, Without a doubt!!
MartinHafer THE FINISHING TOUCH is a film typical of classic Laurel and Hardy films. There are many aspects of it that are seen in their other films. For instance, they boys are building a house and is very reminiscent of a few of their films such as BUSY BODIES and DIRTY WORK--all films where the team are trying to build or fix things and end up destroying everything around them. Additionally, at the end of the film, there is a big fight scene that sure brings to mind their BIG BUSINESS, TWO TARS and THE BATTLE OF THE CENTURY. Now all this familiarity isn't bad--especially when the films are as enjoyable and fun as all the ones I just listed.Stan and Ollie are contracted to do the finishing work on a new house. However, since they are idiots, the tend to mostly break everything and hurt themselves in the process. In addition to Ollie getting the worst of many of these accidents, an innocent cop (Edgar Kennedy) gets banged around pretty badly as well--even though he was just an innocent bystander--a particularly even-tempered one at that. The film ends with the home being pretty much like you'd expect if Stan and Ollie had built it and there are many wonderful stunts at the end of the film.Overall, it's a lot of fun and is one of the better silent shorts the team made.By the way, watch the dump truck scene near the beginning. The truck dumps a load but only moments later the load magically vanishes due to poor editing and continuity. It doesn't ruin the film at all but I am surprised they didn't fix this mistake.
Michael_Elliott Finishing Touch, The (1928) ** 1/2 (out of 4) Laurel and Hardy play finishers who are offered an extra $500 if they can finish a house in one day. The boys set out to make the extra money but soon a nurse (Dorothy Coburn) and a cop (Edgar Kennedy) start getting in their way. This silent short is a rather mixed bag as it features a lot of funny moments but the comedy isn't really ever hysterical but instead just mild laughs. The majority of the film goes for slapstick comedy, which includes Hardy stepping on nails, Laurel tripping over boards and that type of stuff. The cop of course plays the rival to the boys who keeps getting caught up in their madness and taking most of the abuse. Kennedy is quite good in his role but it's actually Coburn who steals the film when she decides to beat up the boys because of how much noise they're making.
rdjeffers Sunday July 16, 12:30pm The Castro, San Francisco"If you must make noise make it quietly."Stan and Ollie play bumbling carpenters attempting to finish a house across the street from a hospital. Edgar Kennedy plays the cop who keeps a close eye on their progress, and inevitable demolition of the house. In one shot, he stands and watches Stan walk past carrying the end of a board on his shoulder. As the board passes by for what seems like a very long time, Kennedy is surprised to see that Stan is also shouldering the other end! He is repeatedly hit over the head, doused in a bucket of glue, then covered with roofing shingles and later flung into a trough of wet plaster for his troubles. Ollie accidentally swallows the handful of nails he puts in his mouth, three times! The two have some fun with an irate nurse. Stan rips a sheet of sandpaper in half when she bends over, so of course she thinks
The finale includes a rock throwing fight with their boss and their large truck with faulty breaks rolling into and completely destroying the house.
wmorrow59 This is Laurel & Hardy the way most people like to remember them: as day laborers in denim, hard at work on a construction project which is, of course, doomed. Here they are "finishers" who have promised a homeowner they can complete work on his house for $500. The house happens to be located near a hospital, so a cop and tough nurse must persuade the boys to work quietly. Within this loose framework of a plot the guys are free to wreak havoc on the house, the cop, the nurse, and each other.The Finishing Touch was made early in the L&H partnership, and is enjoyable if you're in the mood for basic slapstick knockabout. There are a lot of great gags here, but somehow this slapstick lacks the deft assurance -- the finesse, if you will -- of their later films with similar setups, such as Hog Wild or Busy Bodies. As contradictory as it sounds, the boys became more expert at portraying ineptitude as they "matured." Later on, too, at least in their best work, the gags seemed to occur spontaneously; here, some of the material feels rather forced. Prime example: Ollie repeatedly swallows a handful of nails due to his insistence on carrying them in his mouth. Now, even in low comedy, you need a more plausible set-up than that. Does any builder carry nails around in his mouth? Having swallowed one mouthful, would he do it again? Ollie is too dumb here. This is the sort of flaw one expects to find in their much later movies from the '40s, when the team was being mishandled by unsympathetic studio hacks. Laurel & Hardy should be simple and childlike, but not moronic.Mr. Laurel comes off best in this film, getting lots of mileage out of his magnificently blank expression. He has two especially nice bits: first, when his awkward attempt to hoist a window frame into position results in the frame gradually falling to pieces; and next, when he frightens himself into believing he's lost one of his fingers. Stan could do so much with moments like that.Also on the plus side, The Finishing Touch offers the sparkling cinematography of George Stevens, as well as several estimable supporting players: Dorothy Coburn as The Tough Nurse, Edgar Kennedy as The Ineffectual Cop, and Sam Lufkin as The Very Unhappy Homeowner. Lufkin figures prominently in the film's spirited finale, when it becomes clear that, despite assurances, the house is not "built like Gibraltar." Lufkin tries to retrieve the paycheck he's given the boys, but they fend him off with ingenuity and vigor. It's the best scene in the picture, a warm-up for the crazed Grab-the-Deed routine in L&H's 1937 masterpiece Way Out West, and a delight to watch.
