The Hound of the Baskervilles

1978
4.6| 1h25m| en| More Info
Released: 21 July 1978
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Synopsis

Director Paul Morrissey applies a hefty dose of humor to Sir Arthur Conan Doyle's classic detective story in this interpretation of The Hound of the Baskervilles. Comedian Peter Cook takes on the role of brilliant detective Sherlock Holmes, who's not so gifted here as he relegates much of the investigation of demonic dogs to his bumbling sidekick, Watson (Dudley Moore), while he spends time with his mother and searches for an assistant.

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Reviews

Selfmageob This was not a good film.
Vashirdfel Simply A Masterpiece
Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
Jenni Devyn Worth seeing just to witness how winsome it is.
Michael_Elliott Hound of the Baskervilles, The (1978) BOMB (out of 4)As a fan of bad movies I quite often find myself trying to track down and locate some of the worst films ever made. Sometimes these bad movies turn out to be entertaining but sometimes they turn out to be so bad that I often wonder why no one was seeing how bad the dailies were and didn't try to pull the plug. That's what I felt here. This story has been told countless times and since it's the most popular perhaps that's why everyone involved decided to shoot it. We have Peter Cook playing Holmes and Dudley Moore playing Watson but it really doesn't matter because I think anyone could have been in the roles and things would have been bad no matter what. Cook, Moore and director Morrissey wrote the screenplay her and I can't help but picture the three of them sitting around, passing a joint and laughing their heads off at what they were writing. That's the only thing I can think of that would make any of them feel as if they had anything working in this screenplay. The movie gets off to a horrendous start and it doesn't improve any and in the end I couldn't help but scratch my head and wonder why no one put a bullet in this sucker before it could hit theaters. The deadliest sin a comedy can make is that it's not funny and this movie makes the unforgivable sin of not having a single laugh. For the most part we have various characters acting gay and this appears to be the only joke going. Everyone acts extremely strange and that includes Holmes who we first see as some sort of sissy and I guess the screenwriters through this would be hilarious. The rest of the jokes are just downright flat and it almost seems like no effort was made to make any of them funny. For the life of me I couldn't understand how anyone could find this mess entertaining and most of the blame is right on the screenplay. As far as the performances go they're just as bad as the writing. The film ends with many bizarre jokes including an extremely bad spoof of THE EXORCIST that comes out of no where and seems out of place. I tried to think of at least one nice thing to say about this film but couldn't think of one as even the titles are boring and the music (by Moore) is pathetic. A complete disaster this one is and I'm sure you can safely call this the worst Holmes movie in history.
Cheese Messiah Following the rudimentary outline of Conan Doyle's famous Sherlock Holmes tale, Peter Cook and Dudley Moore concoct a feast of comical whimsy. Or so they would have sold this weak film to its producers. As it is, it is a threadbare piece of work all too briefly lightened with flashes of genius(I laughed out loud when Dud encounters his double in the post office). We have bits of Pete'n'Dud's earlier stage material (ie 'i've nothing against your right leg, and neither have you') which were much funnier (because they were much fresher) in their original versions. Newer material seemed thin and drawn out. The accents that Cook and Moore avail themselves of (Jewish and Welsh) are funny to begin with, but soon pall. Likewise, the piddling dog is hilarious but dragged on for so long that the viewer starts to become annoyed and forget that he ever found it amusing. The music is a major drag. Dudley is an accomplished pianist, but his soundtrack in the manner of an old silent film accompanist falls as flat as the rest of the film.
mike robson A wonderful cast are here involved in what must be the lowest point in all their careers.For some reason Dudley Moore plays Dr.Watson as a high voiced Welshman,and Peter Cook gives Holmes a "stage Jewish" accent!Made up of series of draggy sketches,everything but the kitchen sink gets thrown into the pot-including "The Exorcist" and Pete and Dud's "one leg short" sketch;the result is an incoherent mess.Most potentially amusing moments are killed dead by the sloppy approach of Paul Morrissey's direction.No attempt is made to capture the mystery of the original story, and the players shout,mug and flail around among pathetic threadbare sets.According to Harry Thompson's biography of Cook,Pete and Dud were deeply unhappy about Morrissey's approach to the material,and saw they'd got themselves into a disaster.No wonder the off screen audience throw rotten vegetables at Dudley at the end.A truly stupid film. .....that rumbling noise whenever this film is shown is old Sir Arthur spinning in his grave!
Dock-Ock The Hound of the Baskervilles is never realises its comedy potential as a vehicle for Dudley Moore and Peter Cook. However, it is an hillarious little piece in the Carry On mode, and that is its blessing and its curse. When its bad its awful, but it still has the ability to milk one or two belly laughs. Fans of Sherlock Holmes and Arthur Conan Doyle will probably love it because it both sends up Doyles Holmes and Watson and is an affectionate tribute to their worlds. Were the movie falls flat is that the too many ideas are rather lacklusterly handled by Andy Warhol veteren Paul Morrissey. You rather wish the film had been directed by a heavy weight like Richard Lester or Blake Edwards or Cook and Moore themselves. At times the movie doesn't know whether it wants to be Monty Python smart or Carry On Corny, and so alot of the ideas that worked brilliantly on Cook and Moores Behind/Beyond the Fringe Days and Not Only But Also dont work here. What is fairly noticeable about this film is the growing talent and enthusiasm of Dudley Moore as a screen prescence. He has at this point broke free the comedy chains enforced by Peter Cooks talent and his confidence dances off the screen. His silent movie/Chaplin/Laurel and Hardy/Keaton tribute usical score is wondeful too. He is genuinely hillarious with his over the top welsh accent as Watson and cripplingly funny playing Holmes's mother. In all honesty it is Dudley who makes the film work. Dudley holds his own against British comedy greats such as Kenneth Williams(brilliant in the film), Terry-Thomas and Spike Milligan. Peter Cook is quite good as Sherlock Holmes, certainly looks the part and given the chance would have made a very good Holmes in a better movie. But it's Dudleys film, he is the one who makes it work, and things where abi=out to get very interesting for him over the next decade.