The Vampire and the Ballerina

1960 "BLOOD-LUSTING FIEND WHO PREYS ON GIRLS! VAMPIRE-QUEEN WHO FEEDS ON LIFEBLOOD OF MEN!"
5.6| 1h25m| NR| en| More Info
Released: 23 May 1960
Producted By: Consorzio Italiano Film (CIF)
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Budget: 0
Revenue: 0
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Synopsis

A troupe of beautiful young dancers find themselves stranded in a sinister, spooky old castle, not knowing that it is home to a group of vampires

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Reviews

TinsHeadline Touches You
Greenes Please don't spend money on this.
Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Uriah43 This movie begins with a young woman named getting bitten by a vampire late at night in the forest. She is taken to a doctor's house where several young ladies are staying in preparation for an upcoming ballet. Since she seems to be okay she is taken back to the farm where she works but subsequently dies a little later and is buried. At least, all of the villagers believe she is dead. In any case, that same night a young man named "Luca" (Isarco Ravaioli) and two of the women by the names of "Luisa" (Helene Remy) and "Francesca" (Tina Gloriani) get lost in the forest and happen to come upon a castle which they take refuge in from an approaching thunderstorm. Not long afterward they are greeted by a woman named "Countess Alda" (Maria Luisa Rolando) who offers them some tea. When Countess Alda temporarily excuses herself, Luisa decides to look around the castle and it's at this time that she is bitten by the same vampire who attacked the young woman in the woods. From that point on Luisa is irresistibly drawn to the vampire by the name of "Herman" (Walter Brandi) and this endangers everyone who is close to Luisa. Now rather than reveal any more I will just say that from what I understand this movie had some difficulty with the Italian censors due—strangely enough--to the graphic images exhibited during the death of the vampires and the special effects related to the mask worn by Herman. While it all seems rather tame in this day and age I suppose it goes with the territory back then. Be that as it may, although this film is definitely dated, it wasn't too bad as far as vampire films are concerned and because of that I have rated it accordingly. Average.
a_baron This is a slightly off-beat vampire film; how many times have you seen a vampire staking one of its kind through the heart?Made in black and white, presumably to give it extra atmosphere, it features a swathe of gorgeous Italian girls - including blondes - residents/students of a rural dance school. So far, so good. Two of them and their male companion go for a walk in the woods, and take shelter in a mysterious castle which is inhabited by an even more mysterious countess. Yes, she is a vampire, but things are not that simple. She may be four hundred years old, but she is not mistress of her own domain; she is also in an unhappy marriage, and she wants out of it. This may not be the best vampire film ever made, but considering the state of Italian cinema in 1960, it is a credible effort, and no doubt later Italian horror films owe much to it.
Brian W. Fairbanks I saw this black-and-white Italian made vampire movie at the Cloverleaf Drive-In in Cleveland, Ohio back in the early 1960s. The theater often booked triple feature horror programs (and triple features period. I even saw "El Cid" on a triple bill there). The drive-in's location was part of its appeal. If the movie wasn't worth watching, you could stare at the neon Goodyear sign off in the distance. I only have a vague recollection of this film as it appeared theatrically. Like some others who have commented on it, I know it primarily from a 12-minute Super 8 silent home movie edition that Ken Films distributed in its United Artists series (which was primarily dedicated to condensed versions of the classics UA picked up from Warner Bros). In that abbreviated state, it wasn't at all bad, with a climax as memorable as Christopher Lee's demise in "Horror of Dracula." Helene Remy got top billing, above the title, but I'm not even sure any of her scenes made it into the home movie version. Then again, I don't think I would recognize her anyway.
BoYutz A group of dancers gets stuck in a brooding old castle that, naturally, has thirsty vampires who are thrilled to see them. That said, the film is basically just a dull, glacially-paced exercise in routine plotting. The only redeeming feature is the beauty of the actresses.