Angel, Angel, Down We Go

1969 "Drugs, thugs and freaked-out starlets, ritual murder and cannibalism, dedicated to the proposition that all men are created evil."
4.5| 1h33m| R| en| More Info
Released: 19 August 1969
Producted By: Four Leaf Productions
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Budget: 0
Revenue: 0
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Synopsis

The overweight debutante daughter of the world's wealthiest couple falls in with a gang of tripped out, skydiving pseudo-reactionary pop stars, who take their beliefs of the American ideal to profoundly impossible heights.

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Reviews

Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
MartinHafer The late 1960s brought the world a lot of trippy psychedelic films, though one of the trippiest and strangest must be "Angel, Angel Down We Go". To say it's bizarre, amateurish and silly would be a great understatement. I would go so far as to wonder if anyone NOT intoxicated has even enjoyed this film.Despite being immensely wealthy, the Steele family is hopelessly screwed up and hypocritical. Dad is a wimp, mom an ex-porn actress and their chunky daughter is pretty much on her own--and seems to ease her pain and emptiness with food. The family announces to the daughter that they're having a coming-out party for her, but it's really just an excuse for the mother (Jennifer Jones) to prance about and hope that everyone admires her beauty. While she looks her 50 years in some ways, I must admit that Jones' figure was amazing in the film--and you end up seeing more of it than you'd expect considering she ONCE was a star. As for the daughter, she's miserable at the party but connects up with the musical act that performed for the party. The leader is named 'Bogey' and is a charismatic and devilish guy--and he has four little disciples who follow him everywhere--even though NOTHING Bogey says makes any sense at all. She joins this little cult and they hang about saying profound things that make no sense, go skydiving and have sex. Later, to scare the girl's parents, the gang drops in and behaves like they are strung out on LSD--which I assume they were. If you think all this is headed somewhere and there is significance to it, don't bother. It all just goes on and on and on--and never makes any sense.Aside from an incomprehensible story, the film features some really weird artsy camera-work with random pictures inserted throughout the film, a sprinkling of nudity, homosexual references, dialog that seldom makes sense, comments about the sexual prowess of black men, child sexual abuse, a lady sleeping on the ceiling and MANY actors who later must have regretted doing this film. Aside from Jones, Roddy McDowall and Lou Rawls (yes THAT Lou Rawls) star in the film.By the way, if you are wondering why a star like Jennifer Jones did such as god-awful film, my guess is because she and her husband (the recently deceased David O. Selznick) went through bankruptcy when his films started losing money. I can only assume she had to take ANY work she could find--and this would definitely fall into the category of ANY. In fact, it might just be the most embarrassing film by a once-great Hollywood star. Mae West's necrophilic performance in "Myra Breckenridge" and Burgess Meredith's nude scenes in "Such Good Friends" might possibly be a bit worse, but neither ever were respected A-list stars like Jones. And, neither could boast that they had once won an Oscar.As one of the reviewers said, when this film debuted, David O. Selznick must have been rolling in his grave!
ccmiller1492 Title refers to a group of aimless wealthy international jet-setters who seem to have nothing better to do than repetitive, trashy sex and drugs. What they actually do best is interminable senseless babbling. Jennifer Jones' role as a former porn star cum parvenu socialite is an embarrassment, while Roddy McDowall is wasted. Jordan Christopher in his leading role is a great androgynous irritant performing several undistinguished "hip" songs such as "Angel, Angel Down We Go" and "Mother Lover" with all the spark of a wet fuse. He may have been a hot flash-in-the-pan in Britain but he deservedly fizzled fast possibly due to the contempt shown for audiences (particularly American) as evidenced here. Lou Rawls, in a useless token role would have been a much better choice at performing during the generous screen time allotted to music. Despite slick production values and the too-frequent artsy interposing of bizarre montages, the film, much like its opening and closing monologues evokes nothing more than empty delusions.
Aussie Stud What "THE BIG CUBE" was to Lana Turner, "CULT OF THE DAMNED" (aka "ANGEL, ANGEL, DOWN WE GO") is to Jennifer Jones.Ms Jones, a beautiful actress, usually playing serious roles in respectable films such as "LOVE IS A MANY SPLENDORED THING" and "DUEL IN THE SUN", makes her grand entrance into the twilight of her acting career with this extremely tasteless garbage.Here, she is the bored, restless and needy wife of a tycoon who welcomes home her 18-year old daughter who has been raised abroad in a Swiss school. The actress who plays her daughter is pretty bad, but who could have imagined that Jennifer Jones could be worse?I don't think anyone could have imagined as to how bad this movie would turn out. The director must have had liberating visions on the issues of homosexuality, nudity, obesity, drugs, sex and free love. Jumble them all into one movie and headline it with an Oscar-winning actress in the twilight of her career, and you have "CULT OF THE DAMNED".Was it Jennifer Jones who insisted that every 'close up' shot of her face be filmed directly under a spotlight with as much base plastered over it so that it looked like matte? Was it Jennifer Jones who wanted to 'step out of character' by playing a completely unlikeable lush-of-a-woman with a background in stag films? Either Ms Jones was completely into the "LSD-era" if you get my drift, or her agent was.Ms Jones not only steps completely out of character for this movie, but she takes a giant leap into a whole new "Twilight Zone" dimension where most of her fans would be scratching their heads as to how and why she chose to star in this. I remember I got the same feeling when I saw the beautiful Ms Katharine Hepburn dragged out of semi-retirement for a small cameo in Warren Beatty's "LOVE AFFAIR" where she was encouraged to utter the "F" word amidst completely embarrassing dialogue.Watching Ms Jones confess, "I MADE 30 STAG FILMS AND NEVER FAKED AN ORGASM!" while badly acting amid Fellini-inspired scenery filled with smoke and harsh red tones, is just bizarre.How this film became retitled as "CULT OF THE DAMNED" is beyond me. There is no "cult" in this movie. The original title "ANGEL, ANGEL, DOWN WE GO" is more appropriate as it is featured in a rather appalling set at a pool party that is supposed to conjure the likes of Jim Morrison, but instead invokes laughter.Everyone from Lou Rawls to Roddy McDowell look completely stupified as to how they ended up in this film. There are even times where their faces look like deer frozen in a set of headlights.I must say that after watching this movie, I now know where Jennifer Jones got the inspiration for her look that she carried with her to the set of "THE TOWERING INFERNO". There is one scene in this movie where Jennifer is sitting in the back of a limo sharing a conversation with Jordan Christopher. She is wearing the exact same white dress with choker and hairstyle that she had in "THE TOWERING INFERNO"! I honestly thought that she had stepped right out of this scene and into the glass elevator as Lisolette Mueller.Thank God this movie would not be her final film. It would be absolutely depressing if this was credited as her last movie. She redeemed herself in her next and final feature "THE TOWERING INFERNO", and hopefully fired her agent in the meantime.Only watch this movie if you, like me, were dying with curiosity to see Ms Jones spit, "YOU BLOODY SADISTIC DYKE!" to her maid while getting rough-handled during a shoulder massage. Other than that, avoid this dreck at all costs.My Rating - 0 out of 10
m0rphy As I have collected all 24 Jennifer Jones' films on video, (25 if you include the two versions of "Gone to Earth"/"Wild Heart"), it was only natural I should buy a video entitled "Cult of the Damned", its' later release title.I was 23 when this was filmed in 1969 so if what now amounts to a period piece of rock stars, drugs, cults etc, appeals to you, then this film is worth a look.You may be somewhat surprised to see and hear established stars such as Jennifer Jones appearing in this film especially when she utters lines like," I made 40 stag films and never faked an orgasm" or calling her masseuse a " you're a bloody sadistic dyke".Roddy McDowell also appears as a disciple of Jordan Christopher, the cult leader."Pop" art adorns the set especially at the beginning and is designed to shock.The dialogue is full of pretentious nonsense as espoused by Holly Near playing the overweight daughter and its narrator.I did however like most of the songs especially the one Jordan sings to Jennifer Jones when he's stark naked at the foot of her bed, with just her famous necklace to cover his modesty!I know this film gets "slated" by most people and critics but do see it if you get the chance.Its never been seen on mainstream UK TV to my knowledge and the video title is not commercially available.Your best bet is to bid on "e-Bay" as it occasionally comes up for auction.