Matialth Good concept, poorly executed.
Konterr Brilliant and touching
Inadvands Boring, over-political, tech fuzed mess
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
gregking4 MAGIC TRIP. Long before Peter Fonda and Dennis Hopper headed off on their motorbikes to find America in the ground breaking cult classic Easy Rider, author Ken Kesey (One Flew Over The Cuckoo's Nest, etc) and a group of friends set out on their own epic journey across America in a psychedelic coloured school bus. It was 1964, in the wake of the Kennedy assassination, and Kesey and his friends, known as the Merry Band of Pranksters, headed off from California to visit the World's Fair in New York. Along the way we also meet a number of other notable figures of the time, including poet Allen Ginsberg, Neal Cassady, author Larry McMurtry, and Jack Kerouac, regarded as the father of the Beat movement. The legendary trip (!) was also chronicled by novelist Tom Wolfe in his The Electric Kool-Aid Acid Test. Kesey filmed the journey on his 16mm camera, but the film has never been released because it was too disjointed and unfinished. The footage was found in a barn at Kesey's house after his death in 2001. Veteran Oscar winning director Alex Gibney (Taxi To The Dark Side, Client 9, etc) and his regular collaborator Australian born editor Alison Ellwood have re-edited Kesey's raw footage, giving the freewheeling material structure and context. They have added a number of interviews and incorporated some fascinating archival footage to provide insights into the era. They have also used original recordings made by Kesey himself during the journey, with some additional narration from Stanley Tucci. With a soundtrack of rock music from the era, Magic Trip serves as a fascinating time capsule of America in the mid-60s – Kennedy, Vietnam, civil rights, hippie subculture, LSD, paranoia, disillusionment, youthful rebellion, and a growing air of cynicism. Magic Trip is a well made and entertaining documentary that gives some insights into the burgeoning counter-cultural movement of the 60s.
jackbenimble I read Tom Wolfe's novel and was pretty impressed. I watched this movie and wasn't. In the novel the pranksters have a clear underlying philosophy to their antics and as such mark an important historical beginning of the 60's youth counterculture. In the novel there is a recurring theme railing against the crass materialism of America at the time and a continuation of the artistic beat movement of the 50's. In the movie we're pretty much simply given an advert for LSD. As I understood it drugs and sex were used as a MEANS to a greater understanding and a new philosophy of life. But what we witness in this film is simply irresponsible self gratification and mindless hedonism which I guess is what eventually burnt the 60's out. Maybe Wolfe made it all up and this film represents the reality? If so it was a big disappointment for me. I'm with Kerouac on this one. I'd share a beer with him on that sofa in New York and have a good moan about what a bunch of irritating,vain, stupid,shallow, self indulgent pricks they all were.
timbermisc This is a home movie without producer, director, script or a casting director. Originally it was 100 hours long; You read right. Repeat: 100 hours long. Here it is cut down to 90 minutes. It should not be compared in category to professional documentaries in terms of ratings or quality. It has it's own category. It was never meant to be shown in a professional theater. However, it was screened in a professional theater in San Francisco and New York for a short length of time, about 10 days. I saw it in San Francisco in a theater. I liked it. And another viewer I interviewed liked it. She said to me, "I remember THOSE PEOPLE on the campus at Stanford." It was made for Ken Kesey's friends to "goof on" while they took psychedelic drugs, socialized, and stayed overnight at Kesey's home in La Honda, CA. It's a feel-good home movie to be seen on a Sunday afternoon. It will not send you on an LSD trip. The added blues, jazz, rock music with graphics tie this home movie together, and embellish it. It was more than I expected as a result of these additions. Also you will see Martin Luther King, the JFK assassination, and civil rights movie clips. That day JFK was shot certainly evoked the emotions you will see in this film. I know, I was "there" and 16 years old at this time. Please understand that early 1964 was a very sad time, complete with the Russians threatening nuclear war against the U.S. every month. The Vietnam War was beginning. There were civil riots and angry people in the streets. And young people wanted some happiness in their lives, somehow. They wanted to play, be crazy, have some fun before getting married. Many found it with Ken Kesey. This movie has added narration that sometimes reveal a truth, a judgment, about the characters on board the bus named "Further". This message is not always positive; these comments add some depth to these characters of the 60s. And this would be the major reason you would want to see this film. The soundtrack for the voices of the friends in the movie is mostly out of sync. However, remember that "being out of sync" and "tripping on Acid" may be similar. So, it didn't bother me. It just seemed like a variation on a Beat poem. If you look quickly, you will see the first "Flower Girl" seated on the grass. Yes, with flowers in her hair. All this before the Beatles, and hippy-ism. There is no violence, sex, crash-bang action or flaming car crashes. People in the file were given theatrical names like: "Stark Naked". They then traveled across the U.S. like gypsies. You should be interested in history to best enjoy this film. Kesey personally took the first LSD "trips" in a hospital as a volunteer; and he was recorded on tape. Hear those original tapes in this movie. His "trip" is supported with inspired graphics so that the viewer can feel that he/she is also "tripping" for 2 minutes. However, the rest of the movie is not an "LSD trip" for the viewer of this film. The movie poster "The Magic Trip" is more embellished and "tripy" than this movie is. Clearly the "magic" part is happening in the heads of the friends who are depicted in this movie. The viewer of the movie will not reach the "heights" that these people are experiencing. This is a home movie created with (3) 16mm film cameras held by intoxicated adults. The viewing can be shaky, rocky; but it is all in good focus. The film is not grainy. This film does not overtly promote drug usage. The undesirable effects of drugs are also presented in this film. Amazing that they could live film police stopping them on the highways. Not all of the pranksters "made it" to New York. One woman didn't. She's the one who fell in the pond in the middle of nowhere (actually Wikieup, AZ) to immediately find that the water was clearer than before; underwater she could see everywhere farther and clearer on LSD. And she could talk to slim. And all of the slim beings in the pond could finally talk to a human being for the first time. And she found that we can now be friends with slim beings. The pranksters named her "Miss Slim of 1964". This film is a lot of innocent fun played out by adults in short hair styles. This a home movie which belongs in the Smithsonian Institute. It is a very gentle movie with a cast of friends. Just remember: all this happened before the hippies ever were "created". This film was used as entertainment for Ken Kesey's friends who visited him overnight in his home while they played with psychedelic drugs. The film highlights Ken Kesey's novel briefly: "One Flew Over The Cuckoo's Nest. It all ends with a pleasant message about the 60s and Ken Kesey's private life and marriage. If you want to complete your knowledge of the 1960's, you must see this film.
goodbyeenemyairship I only had 2 issues with the film as presented - 1) the film moves at a breakneck pace trying to cram what was likely hundreds of hours of film into 90 minutes; I wanted many scenes to last longer - 2) I would've liked a 'where are they now' sort of bookend for more of the pranksters (only Kesey's and Cassady's post-prankster lives are detailed).I thought the footage was gorgeous - the film must've been well taken care of over the years. It was really fascinating to see America circa 1964 in full color (most footage from that era is black & white).I want to re-read The Electric Kool-Aid Acid Test after buying this DVD and refer back and forth. It really does breathe new life into Tom Wolfe's book; although, the film stands on its own.One of the most fascinating segments of the film was early on when they delved into how Kesey was turned onto LSD. They describe the whole experience and provide audio recordings taken as Kesey was under the influence in a hospital where LSD experiments were being conducted.I understand many will take issue with the pro-drug message, but whether you like it or not, the subject of the film and the footage itself is a big part of history. There is something to learn and appreciate no matter where you stand.