Salmonberries

1991
6.3| 1h35m| en| More Info
Released: 31 October 1991
Producted By: Pelemele Film
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Budget: 0
Revenue: 0
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Synopsis

A young orphaned woman, named Kotzebue, is trying to find out who her parents are in the icy landscapes of Alaska. Kotzebue (K.d. Lang) is helped by a east-german librarian (Rosel Zech), whose husband was killed while fleeing from the GDR. Although both women could not be more different from each other, a fragile relationship forms.

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Reviews

MoPoshy Absolutely brilliant
Humbersi The first must-see film of the year.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Jo Grant Salmonberries is a beautiful film that is set in one of the harshest environments on Earth, in Kotzebue, Alaska. The story reveals many deep layers that overlap and entwine, and discovering those layers is powerfully insightful. I know I will never forget the characters of this film: Butch, Roswitha and Kotz. Getting by in such an environment would be incredibly difficult – the wind and the cold being the main factors. People are forced to live closely side-by-side simply for survival. Bingo Chuck represents all that could be wrong or unpleasant in such an environment. Butch represents that all obstacles and unpleasantness can be risen above to find one's own Nirvana, and he does so stunningly. One of the most beautiful films I have ever seen and I am so thankful to the Adlon family for their touching and honest perceptions, their tender ability to see the beautiful and the destructive and to offer it as Salmonberries. And many thanks to Conrad Gonzales.
runamokprods A sort of mix of 'Bagdad Café' and 'Three Women' set in Alaska. k.d. lang plays an androgynous miner who falls in love with a straight, private, local German librarian. They both have muddy, tragic pasts that slowly emerge. There are some deeply moving moments, and some wonderful slightly magical realist touches. The cinematography is very good. But while lang does a decent job, I can't help thinking a stronger, more experienced actress could have brought out even more in this amazing role. That said, I did enjoy this much more on a second viewing. While it bothered me that it felt at times like Adlon was trying to re-create the magic of 'Bagdad Café' (odd, surreal setting, quirky out of place characters, cinematography that uses color in exaggerated ways for effect, etc.) overall I found myself more able to just let go and accept this tale on its own merits. And doing that, it made me smile.
hasosch There is a dream sequence in the movie, a concert given by Chuck Connors, where he runs through a transparent foil on which is written "Germany". Kotzebue is named, as we hear from the lesson hold by Rosel Zech in her library, after the German August Von Kotzebue. And then there is Roswitha herself, living since 21 years in this icy asylum, escaped from the German Democratic Republic, cheated by her brother, her husband killed. The West would not have been an alternative, it had to be the land of the Eskimos that had been settled since the early 18th century mostly be the missionaries of Herrnhut, Germany. "Alaska is my home", Roswitha says later.There is an outer and an inner story in this movie. The outer story is the extraordinary and partly one-sided friendship by an androgynous native and the German librarian. This story is, frankly, mediocre. But much more important, it seems at least to me, is the inner story: Imagine you are 21 years exiled in Alaska and now you have suddenly the chance to fly to Berlin, your home-town, and exactly at the time when the East German Wall falls which kept you exiled for such a long time. When outer things collapse, then there is always the problem how your inner reacts, how you hold it back from also collapsing. I think this is what this movie is really about, and I also think that this is the reason, why the climax, the landing of the machine of Alaskan Airlines in Tempelhof, is prepared by the stunning beauty of the remote landscape of the former Air Force Station at the Arctic Sea. As long you are in asylum, you represent this asylum and if it be only for you alone. This is why Alaska is Germany, and, as we heard, not only for Roswitha. If you are not convinced that I am right, ask yourself about this short scene with the tightrope walker, or have you missed it? Shortly after the landing of "Kotz" and Roswitha in Berlin. - Nietzsche, Zarathustra, chapter 6, correct.
jtur88 After clearing away all the acting and plot lines and cinematography and scripts, what I want to see in a movie is something that makes me sit up an take notice. Something that opens my eyes and my mind to some new previously-unperceived reality. Salmonberries does this in a powerful way. Salmonberries transports you to a place where you have never been, to a culture you have never known, and opens the hearts and souls of people you have never known, and lays it bare. See this film.