Linkshoch Wonderful Movie

BootDigest Such a frustrating disappointment

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Rainey Dawn Another Price/Poe movie that is worth watching. I found the movie a highly interesting Gothic horror mystery-thriller. It is as creepy as it is suspenseful.Julian Markham (Price) and his brother Edward Markham (Williamson) spent some time in Africa doing some dirty deeds. Edward's face becomes disfigured by a witchdoctor and he is held like a prisoner by his own brother Julian. When Edward escapes he ends up in the home of Dr. Newhartt (Lee) and begins to wear a red mask to hide is disfigured face. Edward wants answers as to why he was the victim of witchcraft and becomes vengeful in doing so.I do recommend this film for those that enjoy Poe, Price, Lee and classic horror, mysteries and thrillers.8/10

Claudio Carvalho In the end of the Nineteenth Century, the aristocrat Edward Markham (Alister Williamson) is disfigured by sorcery in Africa by the natives. His brother Julian Markham (Vincent Price) brings him back to the Markham Manor in England and keeps him prisoner in the attic. The mad Edward asks his lawyer Trench (Peter Arne) and his partner to bring the African sorcerer N'Galo (Harry Baird) in secret to heal him but Julian does not allow any contact with his brother. Trench and N'Galo simulate the death of Edward to remove him from the attic in a coffin. However, body snatchers bring his body to the unscrupulous Dr. Newhartt (Christopher Lee) for his research. Edward offers a large amount to Dr. Newhartt to stay hidden in his house and wears a crimson hood to hide his face. When Edward goes to the town, his mask brings problem to him and he begins a series of murders. When he finally meets N'Galo, he finds why the natives have deformed him and he seeks revenge."The Oblong Box" is a dark horror movie based on a story by Edgar Allan Poe. The screenplay keeps the story interesting until the end and the cast has two icons of the genre - Vincent Price and Christopher Lee. The sets and the atmosphere are stylish and adequate for the story. My vote is seven.Title (Brazil): Not Available

Zbigniew_Krycsiwiki Disfigured in an African ritual, Edward is kept, "protected", by his brother Julian by being kept chained up in attic. He fakes his death to escape from Julian and another man is killed to take Edward's place in the "oblong box". Film looks like a low-key, photographed stageplay, a well-dressed period piece having little to do with Poe's short story, besides the title box. This is one of those films to watch primarily to enjoy the cast, lush settings and photography, hooded killers, throat-slicings, and a couple of good scares along the way, even if it has little if anything to do with Poe, just don't get one's hopes too high up. It does have a good unmasking scene, and genuinely creepy twist-ending, which still stood out in my mind years after I had last seen this film. Favourite line: "I'll only do my prowling at night."

Lee Eisenberg "The Oblong Box" is about what you'd expect. Like "Witchfinder General" (aka "The Conqueror Worm") the previous year, a lot of it seems to be going for shock value. Vincent Price plays a 19th-century nobleman keeping his disfigured brother locked in a room...only then the brother manages to escape. There's some violence (although I wouldn't call it gore) and no shortage of women with bug-eyed, frightened looks on their faces.As with the other 1960s horror flicks based on Edgar Allan Poe stories -- although this one is not part of Roger Corman's series -- the movie only uses the title and is otherwise unrelated to the original story. There's certainly nothing special about the movie, except that it was the first pairing of Vincent Price and Christopher Lee. Otherwise, Corman's movies are the ones that I recommend.Also starring Rupert Davies, Peter Arne, Sally Geeson and Hilary Dwyer.