Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
tmaryso Absorbing and disturbing. Women were abused in this way many times. Put in mental hospitals on whims of church and of men. The acting was amazing! I am glad I stumbled upon this movie and watched it!
majito-38235 This movie made remember a lot of "the notebook", one of my favorite movies. Very different indeed but with great similarities.
I must admit I didn't understand quite few things of the story, I don't know if because I didn't pay attention myself or because they are not well explained, like why the never go to see father Gaunt being so important in the story, or why Michel was being followed if the war was over and he was a hero.
Any of does detail won't deprive you to enjoy this great movie.
gradyharp Sebastian Barry's brilliant novel SECRET SCRIPTURE has been transformed into an eloquent touching film Johnny Ferguson and Director Jim Sheridan. With moody cinematography by Mikhail Krichman and a musical score by Brian Byrne (with a lot of help from Beethoven) and a perfect cast of actors, this radiantly beautiful film should satisfy a large audience – those who love period pieces, Ireland, sweet romance, ad twists of plot. Roseanne McNulty (Vanessa Redgrave) must vacate the soon-to-be demolished mental institution in Roscommon, Ireland that she's called home for over 50 years. The hospital's psychiatrist, Dr. William Grene (Eric Bana) is called in to assess her condition. He finds himself intrigued by Roseanne's seemingly inscrutable rituals and tics, and her fierce attachment to her Bible, which she has over the decades transformed into a palimpsest of scripture, drawings, and cryptic diary entries. As Grene delves deeper into Roseanne's past, we see her as the young woman Rose (Rooney Mara), whose charisma proves seductive. We learn that she moved to Sligo to work in her aunt's café, fell in love with a dashing fighter pilot Michael McNulty (Jack Reynor), and that a local priest Father Gaunt (Theo James) fell tragically in love with her. The elderly Lady Rose is institutionalized because it was rumored that she murdered her only child at childbirth. Dr Grene and a nurse (Susan Lynch) are supportive of Lady Rose as the story unfolds in the most sensitive manner.There is much to be praised in this film – the manner in which the conflict between the Irish and the British altered personal lives and relationships, the horrors of the early 20th century insane asylums, the struggle Catholics priests at times endure with their celibacy vows, and the beauty of Ireland – but the cast is so fine that they shine with this material. This is a very fine film.
luminary888 I'm not going to explain the story, that has been done in other reviews. What I do want to say is thisThe end of this movie brought tears to my eyes, and literally almost broke me, because I have experienced something similar. No, I didn't live in a mental institution all my life, but the pain and heartache is the same, it's excruciating, at the loss of a lover, a family member (including pets), and especially the loss of your child. At the same time the movie brought pain, it also brought healing.Many movies can be confusing at first, and some stay that way until the very end. This was not confusing at all, you just needed to follow along, and know that eventually that everything will be clear and fit into place.An awesome movie, exceptional acting, and the music is beautiful, especially the end title "The Cry Inside," written by Brian Byrne and performed by Kelly Clarkson. It was absolutely gorgeous, a masterpiece. Listening to it, and paying attention to the lyrics, is what finally broke me...I sobbed"The Cry Inside" never goes away. Rose Kennedy explained it as follows ~"It has been said, 'time heals all wounds,' I do not agree. The wounds remain. In time, the mind, protecting its sanity, covers them with scar tissue and the pain lessens. But it is never gone."
