The Speed Kings

1913
5.0| 0h7m| en| More Info
Released: 30 October 1913
Producted By: Keystone Film Company
Country:
Budget: 0
Revenue: 0
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Synopsis

Race-car drivers pursue Mabel Normand, whose father has a clear favorite.

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Keystone Film Company

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Reviews

Unlimitedia Sick Product of a Sick System
Dotsthavesp I wanted to but couldn't!
WiseRatFlames An unexpected masterpiece
ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.
silentmoviefan As a racing fan, I really, really loved this movie! The reason? Besides Mabel Normand looking especially beautiful in this film, is the presence of racing drivers "Terrible" Teddy Tetzlaff, Earl Cooper and Barney Oldfield.Mabel likes Tetzlaff (who I'll bet really enjoyed this role, I would have!) while her father, played by Ford Sterling, prefers she marry Cooper. Oldfield, probably a bigger name than both of them at the time, is in one shot, but it was neat to see him behind the wheel of a vehicle.Ford doesn't want Teddy to win the race, so that his daughter might not favor him, so he damages Teddy's engine.The race unfolds, Teddy's car breaks down (due to Ford's deviltry) and Cooper drives to victory.Before the race is over, Mabel interferes with the starter, played by Fatty Arbuckle. Fatty gets kind of rough with Mabel and Ford starts hitting Fatty until he lets go of Mabel.Cooper wins the race, Mabel still loves Teddy and Ford still kicks Fatty around.In real life, if Mabel had married Tetzlaff, she would have been a widow for a year or so, since Tetzlaff died of cancer in 1929. If she had married Cooper, Cooper would have been her widower for 35 years as he passed away in 1965.In any event, I love early racing, this movie has it, so it gets a "10".
Jay Raskin Max Sennett's Keystone Studio was contractually obligated to produce two two-reelers, about 40 minutes of film a week. When he did not have any ideas, he just dragged some of his comedians to a public event and made up a story on the spot. That is why there is no logic, but a great deal of silliness, hand waving, punching and kicking.The racing scenes in this are a bit tiresome, but I'm sure it was interesting to an 1912 audience, many of whom had never seen such a thing before. The physical humor by Ford, Mabel and Roscoe is quite funny as they always are. One had to appreciate the acrobatics of Arbuckle, the enthusiastic expressions of Normand and the incredible monologue that Sterling has with himself and the audience. Together, they are a grand group capturing a unique and playfully surrealistic moment in time.Be sure to watch a good and full print. There are many incomplete and poor prints circulating.
MartinHafer This is another example of the Mack Sennett Studio going on location and taking advantage of nearby attractions to provide the backdrop for this film. They did this with the beach, an exposition and auto races. In fact, I can think of another Sennett film made just a year later that is also based at the auto races. It's one of Chaplin's earliest films "Kid Auto Races at Venice" and like "The Speed Kings", the plot and laughs are purely secondary...at best.The plot, such as it is, has Dad wanting Mabel to marry a famous auto racer. Instead, Mabel wants to marry another. As for a young Fatty Arbuckle, he wants sweet Mabel for himself. However, when Mabel's beau wins the race, Dad agrees to the match and the film ends with Fatty fighting.The film has many of the usual sure-fire laugh routines of the day--kicking, punching, etc. but they did forget to have the gun loaded with blanks for some shots in the butt. Otherwise, despite the setting, a somewhat familiar film that really lacks laughs. In fact, the only reasons I could see for watching the film are if you are a race buff, as you get to see real racers as stars (as well as throwing in a quick cameo with Barney Oldfield) or if you are an insane silent comedy buff like myself--who will watch almost anything from the era! It's sad to be me sometimes.
tedg Ah, Mabel Normand, from the days when being a wild cokeheaded actress meant something. This is an early one from the Keystone days and the print I saw had some inexplicable stuff tacked onto the end, looked like Fatty and Laurel fighting for some reason.The main film is a car race with a mean ol daddy who will give his daughter, the desirable Mabel, to the winner. She prefers one fellow, Teddy Tetzlaff, and her dad roots for Earl Cooper. It seems that is the names of the actors. The print carries no credits.Oddly, the bad guy wins, and we have no reason to know why he is a bad guy, nor why Mabel seems unfazed. Its after the race that the unexplained tussle between two guys we haven't seen before occurs. There are crowd scenes, so this may have been one of those movies made on a day when a real race was run. The race footage might have been exciting for the times.Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.