Tomorrow Is Forever

1946 "The Vibrant, Pulsing Story of a Woman Escaping Her Past!"
7.4| 1h45m| en| More Info
Released: 20 February 1946
Producted By: International Pictures (I)
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Budget: 0
Revenue: 0
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Synopsis

In 1918, Elizabeth MacDonald learns that her husband, John Andrew, has been killed in the war. Elizabeth bears John's son and eventually marries her kindly boss. Unknown to her, John has survived but is horribly disfigured and remains in Europe. Years later, on the eve of World War II, Elizabeth refuses to agree to her son's request to enlist and is stunned when an eerily familiar stranger named Kessler arrives from abroad and becomes involved.

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Reviews

Beanbioca As Good As It Gets
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
DKosty123 This is one of those films that if you get more than 10 minutes into it you will be stuck to watch the entire film. Claudette Colbert and Orsen Welles are both fabulous in the main roles. Richard Long(Drew) is good too, and Natalie Wood at age 8 is captivating in her first credited screen role. George Brent is solid as Colberts second husband. The richly textured story has to do with Colbert(Mrs. Hamilton/MacDonald) losing her husband (John MCDonald) in World War 1 and then having his son and marrying Lawrence Hamilton (George Brent) and having another son. She believes her husband dead, but her husband is actually severely wounded but not willing to tell her he is alive to the point of never assuming his own identity and crafting a new one for himself as Erik Kessler, an Austrian Chemist. Kessler and his seeming daughter, Margaret Ludwig (Wood) come to America fleeing the Nazis in 1939. By coincidence, Kessler starts working for Lawrence Hamilton (Brent) which allows Kessler to meet his ex-wife and his now 20 year old son Drew. Welles plays the dual role to perfection, as his Kessler portion is simply outstanding acting. Colbert is sure Dr Kessler is her former husband but even though he is, Kessler convinces her not to reveal it to anyone.The big part of this is the drama of on Drew wanting to run off to war against his mothers wishes. For my money, this drama is good enough by itself much less the bonus of performances making this a very solid film. The whole point here is the title of the movie.
jacobs-greenwood Directed by Irving Pichel, based on Gwen Bristow's story with a Lenore J. Coffee screenplay, this heart tugging drama stars Claudette Colbert, Orson Welles (who gives the film's best, a most credible, acting performance), George Brent, Lucile Watson, Richard Long, Natalie Wood, and Ian Wolfe, among others.It's November 11, 1918 and "the Great War" has just ended. Factory owner Charles Hamilton, his nephew Larry (Brent), his assistant Norton (Wolfe) and all his other employees are celebrating. One of their newer employees, Elizabeth MacDonald (Colbert), is especially happy because, as she tells Larry, it means her young lieutenant husband will be coming home soon. Larry tells her he had wanted to enlist, but was told his family's factory was equally important to the war effort and was sent home.A month or more later, as she's preparing their home for Christmas and awaiting her husband John Andrew MacDonald's arrival, Elizabeth receives a telegram saying that he had been killed in action. She recalls the shock of learning of her husband's decision to join the conflict, because John (Welles) wanted to be part of making the new world. However, it is then learned that MacDonald is not dead, just horribly maimed and wounded, listed as an unknown lieutenant on the German hospital's records. Refusing to give his identity and asking to be killed, John is cared for by the kind Dr. Ludwig (John Wengraf), who tries to console the lieutenant, insisting that helping the soldier will make him a better doctor.Dr. Ludwig guesses that his patient is married and tells him that his wife has probably received word that he is dead, that she would certainly rather know that he was alive in order to lovingly help him to recover. But John refuses to give his name, determined to die or at least let his young wife have a happy life without having to worry about a physically broken man like him.In Baltimore, after Elizabeth had read the telegram, she returns to work late and collapses, causing Larry to take her to his home where his sister Jessica (Watson) can care for her. They learn she is pregnant, whereupon she lives at the Hamilton's home through April, when she gives birth, and beyond while Larry's love grows for her and her son, John Andrew "junior". Larry proposes and though Elizabeth makes it clear that there will never be another love for her like John, she accepts. They agree to call the infant Drew from now on.Flashing forward many years to 1939, Drew (the recognizable Richard Long, in his screen debut) is almost twenty-one, and we learn the Hamilton's have another son Brian (Sonny Howe) as well. The war in Europe causes the bearded chemist Erik Kessler (Welles), who walks deliberately with the aid of a cane, to seek a visa to work abroad. He and his five year old "daughter" Margaret (Wood) get permission to leave for the United States where Kessler (coincidentally) is hired to work at the Hamilton factory by Larry.One day, Kessler is asked to bring some papers to the Hamilton's estate where he sees, and recognizes, Elizabeth, though she doesn't recognize him (he also speaks with an accent). After he is introduced to their sons, the former John Andrew MacDonald "senior" suspects that Drew is his son, and has quite a discussion about the world and the current conflict with him. Back at his apartment, "MacDonald" confirms his suspicions regarding Drew by reading his last letter from Elizabeth.Kessler was invited by Elizabeth to visit again with Margaret. When they do, during dinner with the rest of the Hamiltons, Drew receives a phone-call. He is excited to hear that one of his fraternity brothers, Pudge, at the University of Maryland has decided to go to Canada to become a flier for the Royal Air Force, which needs as many pilots as they can get. Thinking of her former husband, Elizabeth is instantly upset and makes it clear that Drew will not be following his friend.After dinner, Larry feels the need to explain his wife's emotional outburst to Kessler. He says that her overreaction was due to the fact that Elizabeth had a husband that was killed in World War I. That Drew, though he thinks Larry is his father, is really her ex- husband's son and that she's afraid the same fate will befall Drew, as it did his father. Learning of Kessler's prior conversation with her son, Elizabeth then asks the symbolically German Kessler not to come to their house again. Then there is a bang, and a tearful Margaret comes running into the room frightened. Kessler comforts her while he tells Larry and Elizabeth that the girl is really the daughter of a brave doctor named Ludwig. That he took it upon himself to raise her when Ludwig was killed for refusing to obey the Nazis.Wood (in her first credited role) is delightful as the youngster who, not only cries well at the shock of the fireworks but, is shown to be quite wise for her age. After hearing the story, Elizabeth apologizes to Kessler but he and Margaret don't visit the Hamiltons again.Unfortunately, this film which begins with such promise becomes less enthralling as the melodrama plays out, making it merely very good when it could have been great. Naturally, Drew wants to join Pudge by enlisting, for the same reasons that his father wanted to join that conflict, but his mother is staunchly against it even though Larry tries to intercede. Drew's attempt to leave before he turns 21 plays out in a way that again involves Kessler, whose true identity Elizabeth had begun to suspect. This enables another heartfelt conversation between John Andrew "junior" and the former John Andrew "senior" as well as another between Elizabeth and her ex-husband. After these, however, the ending feels a bit rushed and too pat in both story- lines.
utgard14 Touching weeper about a man (Orson Welles) who goes off to fight in WWI, leaving his wife (Claudette Colbert) behind. Colbert is told he was killed in action but, in fact, he survived but was badly disfigured. He allows his wife to believe he is dead so that she can move on with her life. Decades later, Colbert is married to another man (George Brent). The son she was carrying when she believed Welles had died is now grown and believes Brent to be his natural father. Welles arrives in America to work with Brent, not knowing he is married to Colbert. Welles also brings along his adopted daughter (a very adorable Natalie Wood). It's a good movie of its kind with a trio of great leads and some impressive support from Wood in her first sizable role. It's also directed by Irving Pichel, an actor-turned-director who was quite underrated as both.
u4775 I tried to see this film before because I remember the very beginning, but I guess I was interrupted. This time I saw it through and realized I was watching greatness. This film has outstanding dialog and a very nuanced script. Oh if people today could only write like that....it is no wonder I watch old movies. This film is a clinic on dialog.The acting was great across the board but the direction, story, script and casting were especially good. It was a tightly woven story and an unusual one at that.Wells put in his best performance. Could it have been better, maybe but the way he delivered those heart rending lines...........well maybe it couldn't have been much better. His deep rich voice together with the tenderness, wisdom, and compassion. Well it doesn't get much better. People who didn't appreciate that have not actually experienced life yet. Do not miss this when it comes around again, I know I won't.How good was it? Well this is the first time I felt compelled to comment on any films here.