Hellen I like the storyline of this show,it attract me so much
Platicsco Good story, Not enough for a whole film
AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Martin Bradley The title might suggest a weepie of sorts but "Too Late for Tears" is a film noir and a fairly mediocre one at that. It's actually got a very good story (by Roy Huggins from his 'Saturday Evening Post' serial), but the treatment is poor. Lizabeth Scott is the greedy femme fatale who will stop at nothing, including murder, to hold onto the bag of money that lands in her lap, or at least in her car. Scott was never much of an actress and she's terrible here. As the blackmailer whose money she steals Dan Duryea is his usual excellent self and there's a nice supporting turn from Arthur Kennedy as Scott's sap of her husband. As I said it's got a decent enough story but director Byron Haskin wasn't the man to do anything with it and it just limps along to its rather torturous conclusion.
clanciai Lizabeth Scott keeps you stuck on her throughout this film no matter what she is doing. What would you yourself do if a passing car suddenly passes a bag full of money into yours and vanishes? In this case Lizabeth Scott is together with her husband Arthur Kennedy, who is a completely decent fellow who immediately wants to give over the money to the police, while Lizabeth wants to keep it. There the trouble starts. It is increased by some bad luck on the way. Things don't always go as you planned. In this case, two strangers turn up, one more unpleasant to her than the other. And what's more, she commits mistakes and cause accidents to happen. Pity for such a beautiful woman. She remains equally fascinating though in every film she made, and they are usually dark noirs with her husky voice filling the atmosphere with ominous threats against everyone's existence. Throughout this film her acting is the consistent focus point of your fascination while the others in comparison don't seem to act at all, except Arthur Kennedy, who is always good and has a special knack for honest straight-forward roles. Her constant change, like a chameleon, from charming grace and smiles to solemn sinister brooding boding no good to anyone, from tears and despair to flippant gaiety, is a play in itself and indeed worth watching - in every film, like "The Racket", "Dark City" and "Dead Reckoning". She is almost like a Garbo of the dark.
Andrew Enriquez A marvel of attitudes and styles that now seem cheesy, yet so pithy and fun that you can't look away. Lizabeth Scott is the femme fatale embodied and Dan Duryea is great as the poor dupe who can't help but succumb to her siren call.This film features one of my favorite lines in classic cinema, uttered by Scott: "Well, housewives can get get awfully bored sometimes..."Has there ever been a more perfect example of the antihero lead than Dan Duryea in this film? You don't know whether to hate him for his impotent resistance to Lizabeth Scott's machinations or to offer to buy him a beer.
DKosty123 While this director is is more known for Arsenic & Old Lace. This film is a very good film noir. It just premiered on TCM in 2015 as a part of their dark summer. Noir series. Not a bad way to start. Don Defore is more known fro being the boss of Hazel on television and some other work on the Adventures of Ozzie & Harriet,This film presents a different side of Don quite well. It a hard serious dramatic role. At one point this was considered a lost film.The sets are drab much like many Republic films. It is low budget and though my favorite odd ball film from the studio is John Wayne' s odd ball western Dark Command, this one is a good drama.
